What Have We Here Portraits of a Life
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What Have We Here Portraits of a Life
NEW YORK TIMES BESTSELLER • A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.
“Effortlessly charming. . . [Williams] writes with clarity and intimacy, revealing the person behind the persona.” —Maya S. Cade, The New York Times Book Review
“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams
Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.
What Have We Here Portraits of a Life
NEW YORK TIMES BESTSELLER • A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.
“Effortlessly charming. . . [Williams] writes with clarity and intimacy, revealing the person behind the persona.” —Maya S. Cade, The New York Times Book Review
“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams
Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.
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What Have We Here Portraits of a Life
What Have We Here Portraits of a Life
What Have We Here Portraits of a Life
NEW YORK TIMES BESTSELLER • A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.
“Effortlessly charming. . . [Williams] writes with clarity and intimacy, revealing the person behind the persona.” —Maya S. Cade, The New York Times Book Review
“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams
Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.
What Have We Here Portraits of a Life
NEW YORK TIMES BESTSELLER • A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from Brian’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed.
“Effortlessly charming. . . [Williams] writes with clarity and intimacy, revealing the person behind the persona.” —Maya S. Cade, The New York Times Book Review
“The story of a legend, written by the legend himself! Impressive, inspiring, entertaining and endearing.” —J. J. Abrams
Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier.
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